Iranian Film Festival identity
Logo for Iranian Film Festival, a first year festival curated by PBS FRONTLINE’s Tehran Bureau.
Tehran Bureau logo
Logo treatments for Tehran Bureau, a FRONTLINE news division. Fonts include Rotis Sans Serif, Talib, Gill Sans, Futura, Optima and Gotham.
Novateur logo
Second and third rounds of logo work for a real estate company in Austin, Texas. Fonts include Gotham, Verlag, Whitney and a modified Trajan.
We Hate Your Site
Work for We Hate Your Site, a user interface and experience testing platform.
This first phase included logo design, sitemap creation, wireframing, flow diagrams and the creation of the user interface. The splash page utilized CSS, site design and web graphics work. The programming was done separately in a Ruby environment. Progress was halted prematurely before the project was completed.
ScriptWorks logo
A selection of logos for ScriptWorks, a playwright-driven service organization and a theatrical producing company based in Austin, Texas.
Fonts in this series include Caslon, Gotham, Helvetica and Public Gothic.
Elk Hill Advisors
The final round of logos for Elk Hill Advisors, a financial advising company based on the east coast.
Fonts in this series include Caslon and Futura.
Reistrup Realty
A series of draft logos for Reistrup Realty, a real estate group in Austin, Texas that offers signature services for first-time homeowners as well as luxury clients.
Fonts in this series include Avenir, Eurostile and Gotham. The final logo, the single Julie, was a hand drawn signature re-traced as a vector and cleaned up in Illustrator.
Outerloop Management
New identity and business cards for Outerloop Management, a management company based in Washington D.C. We used a spot gloss on a 15pt card stock.
Font for the design is DINPro.
about
elsewhere
RSS- Kuvva
- Life Cycle
- Trailer for Wes Anderson’s new movie, Moonrise Kingdom
- Something to Write Home About
- Photographic fascination with twins
- Newspapers, Paywalls, and Core Users
- Did You Just Hear That?
- Made in China: A Portrait Using 5,500 Toy Soldiers
- Fincher Explains Reasons Why He Made Each of His Films
- Interview with Maurice Sendak